The politics and poetics of crossing borders come through beautifully in democracy activist Mun Ik-hwan’s calls for Korean reunification in his 1989 poem “Sleep Talking Which Isn’t Sleep Talking.” Its radical message continues to be relevant in light of current setbacks to inter-Korean relations and peace in the Middle East.
In this pandemic-set short story, a Chinese-American protagonist contends with questions of identity and belonging, leading up to a dramatic ending.
United Proud Women takes cues from queer politics to boost sexual minority women through knowledge systems, community networks, and transnational coalitions.
the only thing that continues to surprise meis that we are still surprised that we stillcontinue to claim to besurprised each time this happens as if thesurprise would save us havingto...
The 70’s Biweekly: Social Activism and Alternative Cultural Production in 1970s Hong Kong. Edited by Lu Pan. Hong Kong: Hong Kong University Press, 2023. ISBN : 978-988-8805-70-9. 250.00 HKD “We wanted to write...
There was a certain foreboding. Only the River Flows (河边的错误 dir. Wei Shujun literally The Mistake at the Riverside), a bleakly surreal pseudo-noir art film reminiscent of David Lynch and based on a story...
episteme issue 9 presents a symposium on Ken Kawashima’s new translation and edition of Uno Kozo’s classic Theory of Crisis (1953).
The politics and poetics of crossing borders come through beautifully in democracy activist Mun Ik-hwan’s calls for Korean reunification in his 1989 poem “Sleep Talking Which Isn’t Sleep Talking.” Its radical message continues to be relevant in light of current setbacks to inter-Korean relations and peace in the Middle East.
In this pandemic-set short story, a Chinese-American protagonist contends with questions of identity and belonging, leading up to a dramatic ending.
United Proud Women takes cues from queer politics to boost sexual minority women through knowledge systems, community networks, and transnational coalitions.
This account documents the author’s challenges getting her father-in-law’s body released from the hospital after dying from COVID and being accepted by a funeral home during the current COVID surge.
A follow-up roundtable, one year after the publication of Tani Barlow’s In the Event of Women (Duke University Press, 2022), to discuss how to reposition feminist critique historically in light of the methodology and arguments Barlow advances in her book in the spirit of voluntary and continuous action.
On December 10, 2022, award-winning Chinese science fiction writer Han Song began documenting his struggle with COVID-19 on his Weibo account. Han Song’s “Covid Diary,” which was accompanied by various pictures he took with his cellphone, went viral online.
A group of UCLA students undertook a performance art practice in response to and in support of the ongoing White Paper Revolution in China.
M.E. O’Brien discusses family abolition and her 2022 sci-fi novel “Everything for Everyone: An Oral History of The New York Commune, 2052-2072”.
episteme issue 9 presents a symposium on Ken Kawashima’s new translation and edition of Uno Kozo’s classic Theory of Crisis (1953).
Fieldwork (le terrain) is not a simple act of “discovering” but rather a much more complex process, one that manifests itself over time and involves the researchers themselves.
This issue offers a new perspective on indigeneity and encourage us to consider the ways in which settler colonialism continues to play a major role in extractive capitalist projects, land dispossession, and political domination in “Asia.”
There’s an impulse to reflect, to take stock, heightened by these crisis times. This issue takes a critical look at the methods and sources we use to produce knowledge and showcases new disciplinary methods applied both specifically to North Korea and more broadly.
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