Angela Zito reflects on her teaching repertoire and her use of Asao Inoue’s concept of labor-based grading contracts for her course, Monsters + Their Humans. 🎒
Angela Zito reflects on her teaching repertoire and her use of Asao Inoue’s concept of labor-based grading contracts for her course, Monsters + Their Humans. 🎒
Published on May Day, to celebrate workers of the world THE PRELUDE Entering history, entering movement. This paper is a political project. It sketches a larger plan for writing about...
This piece was written anonymously by a group in China. It was translated by the Chuang collective and is linked here with Chuang’s permission.https://chuangcn.org/2022/03/letter-from-china-ukraine/
Bio artist Kuang-Yi Ku collaborated with scientists to design a series of new cultivated ginsengs which are conceptually and culturally much stronger than the wild version. This new...
episteme issue 7 takes as its thematic ‘uninvited sexualities’, including four long interviews with contemporary thinkers investigating the relationship of Marxism and feminism today.
Carlos Rojas discusses first responses to COVID-19 as recorded by an archival project created by Duke Kunshan University (DKU), a partnership between Duke University and Wuhan University.
Angela Zito reflects on her teaching repertoire and her use of Asao Inoue’s concept of labor-based grading contracts for her course, Monsters + Their Humans.
A roundtable to celebrate the publication of Tani Barlow’s In the Event of Women (Duke University Press, 2022), and to discuss how to reposition feminist critique historically in light of the methodology and arguments Barlow advances in her book.
In this speculative piece, bio artist Kuang-Yi Ku works with scientists to design a new series of cultivated, enhanced ginseng to be grown in the future on the moon, for the near present.
Four interviews with contemporary thinkers investigating the relationship of Marxism and feminism today.
There’s an impulse to reflect, to take stock, heightened by these crisis times. This issue takes a critical look at the methods and sources we use to produce knowledge and showcases new disciplinary methods applied both specifically to North Korea and more broadly.
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